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MUSICAL CONVERSATIONS - A PLACE TO TALK MUSIC

Listen Tuesday nights, starting at 9 Eastern. Musical Conversations is a conversational radio show, centering on music. Quite often there are guests, whether they be in house or phone interviews, they're talking music. From local and regional bands from around the Charlotte, North Carolina area, to national and international musicians, promoters, managers and those of influence in the music industry, all are welcome on Musical Conversations and at one point have been guests.

Tune in by clicking the player ink at the top of the page, which will pop out so you may continue your web surfing. Join the chat! Also check out the Facebook group and follow MusicalConvos on Twitter.

Charlotte Live Limelight is an article written by Stan Cocheo and published in Crowd Surfer arts and entertainment magazine , which is free and available all around the Charlotte, NC region. This is an archive of those articles. Charlotte Live Limelight is commentary and observations about the music scene, primarily, yet not limited to the Charlotte, NC, region.

Author Archive

What about the venues?

Written by Stan Cocheo on . Posted in CLTLL

LiveLimeLight“What are these music venues like that are listed here in Crowd Surfer?” One of the hurdles of getting into the music scene is that when you go to an unfamiliar venue, you never know what type of place it is you’re walking into. One of the mission statement points of Live Limelight is to give an honest and unbiased look at the venues around town where music is performed and heard. Example being that if you think you’re walking into one type of place and instead it’s another, you’re going to be in for a shock. That’s the case whether you like both kinds of places or not, if you’re not prepared for what a venue is like, it will taint your impression. To alleviate any discomfort, I thought to continue the tradition of venue reviews as Charlotte Live Limelight. This is an introductory primer for the venues in the Charlotte region, and in no way is this a complete list. The mission continues with the intent of making sure that you, the reader of this, is informed and ready to get out and experience some of the amazing live music being performed by not just the local bands in town, also bands that tour through the Queen City. Charlotte’s music scene is amazing and the venues that support that scene are as diverse as the bands that play.

rabitholeSo let’s check out the new place, The Rabbit Hole. Having just had its “soft opening” on February 6th, I thought I’d head there the week afterward to check it out. Walking in the front door, you’ve got the game room to your left and the main room in front and to the right. Capacity appears to be just over 300. The main room houses the stage and the sound board/DJ booth, and also the only bar, though that bar runs the length of an entire wall. The stage is against the front wall, with a window behind it, which is a good layout when you consider that the sound is pumped toward the center of the room from both the front and the back. Speaking of sound, it’s loud yet not ear piercing. When I went there it was acknowledged that they were still tweaking the room for optimal sound, yet my only complaint was it seemed a struggle to communicate with the bar staff, though patrons can hear them. A good staff, which they have, can always tell what someone wants, sometimes prior to them asking and this complaint appears to be something that will be rectified when they finalize the tweaking of the sound system. Though there’s nothing on draft, the beer selection is good, as well as the mixed drinks.

Being in the Plaza Midwood area, there’s parking around, just make sure you read the signs and do not park where you’re not allowed. Even with all of this parking in the neighborhood, The Rabbit Hole also as ample parking itself. This place is comfortable, clean and classy, yet still retaining the rock vibe. The night I was there to review, I noticed a very nicely diverse crowd, all of whom appreciated not just what the bar had to offer, also what the musicians were expressing.

 

The Best of 2014

Written by Stan Cocheo on . Posted in CLTLL

The Best of 2014 to me is that it’s over. It ended for too many and that’s the worst. Some great musicians, music lovers and those influenced by the music were lost this year. So many that I can’t even begin to compile a list as I’ll miss someone. I miss them all, even if I did not know them personally or very well, I do feel their influence on the music scene. So that’s my worst of 2014, it’s that so many have died.

Now, as far as music goes? What’s the best of? Nationally & Internationally:

1. David Crosby – Croz

2. Ian Anderson – Homo Erraticus

3. Pink Floyd – The Endless River

4. The Slambovian Circus of Dreams – A Box of Everything.

5. Lunatic Soul – Walking on a Flashlight Beam

6.The Ghost of a Sabre Tooth Tiger – Midnight Sun

7. Beck – Morning Phase

8. Yes – Heaven and Earth

9. Michael Stanley – The Job

 

My opinion is that outside of these it was a mostly bland year musically, until you get down to the local level. So, here’s my best of list from our friends and neighbors in the Charlotte region:

1. Hostile Witness – The Tribute To Chris Piegler
stanyearend
2. Grey Revell’s Roman Candles, The Happy Infinite,Volumes 1, 2 & 3.

3. Halden Vang – How About Now

4. Shannon Lee – Crystal Butterfly

5. Deep Sky – 7

6. Michael Tracy – Hopeful [The Atlanta Sessions EP]

7. Time Sawyer – Disguise The Limits

8. Bloody Hammers – Under Satan’s Sun

9. Avalon Steel – Ascension

“What a great music scene we have here in the Charlotte region,”

Written by Stan Cocheo on . Posted in CLTLL

LiveLimeLight“What a great music scene we have here in the Charlotte region,” he stated. After I stopped laughing, my response was, “What the hell are you talking about?” This was the start of one of those late night conversations that would go deep and not just alter my perspective, it would also be life changing. Why was my reaction one of disparagement and humor in what was a sincere observation? The same reason that Crowd Surfer Magazine exists. I could find no resource that would tell me who the bands are, where they play, and what those venues are like. That conversation was the beginning of what became Live Limelight.

Steve Coombs and I talked late into the night about music and everything else. Then, at one point, he made that statement. From where I stood, having lived in Charlotte for more than ten years at the time, I had no idea whether what he was saying had any validity or, I’m happy to now say, was really an understatement. The question arose as to where one would find out information on the local music scene, especially since nobody else seemed to be paying attention. The conversation started back in late 2009 and moved throughout 2010. As the conversation grew, it included a third person, Jodi Smith. We pieced together an idea of creating a web-based resource for this type of information, by way of blogging articles that reviewed the venues and the bands that played there. Steve, a photographer as well as master web designer, served in both those capacities, meanwhile Jodi and I wrote. The three of us together (a key point as it was always the three together) developed the idea that grew to become Live Limelight. We would go seek out the musicians, take their pictures and write about their performances. We’d be asked to write good things and our responses were always, “then don’t suck”. On the Live Limelight web site, the articles used a he said/she said layout with Steve’s pictures down the center. This presented different perspectives about the performances and truly represented a good idea of the experience. Steve’s photographic skills were such that, “you could hear the band just by looking at his shots”. I hope to be able to prove that statement to Crowd Surfer readers at some point.

The Live Limelight mission was simple, support the local music scene by presenting the experience of being at the shows as directly and honestly as possible. We discovered that when someone says that there isn’t something like a music scene in any particular city, it’s that they’ve not taken the time to explore and experience what usually is right there in front of them, if they’d get out and open their eyes and ears. Prior to working on the Live Limelight project, I had no idea what a NoDa was, least of all that it was a neighborhood. I also couldn’t figure out why there was a road named “The Plaza” that ends in an area called Plaza-Midwood, yet there isn’t a road named Midwood around. Yes, I know, there’s a Midwood Place, though you can’t really justify that tertiary street for giving the area the name. I had no idea that there were so many music venues, and great ones at that, or how extensive and diverse the music scene happens to be. Granted, and admittedly by many that have watched it from the inside, the music scene in Charlotte has undergone a great revival over the past few years. This means to me that what we were doing as Live Limelight was an essential need that tied into that growth. Not saying we did anything other than report on it, truly the scene would have expanded without us, it’s nice to have had it on record is all I’m saying.

All of this was thanks to Steve Coombs. He’s the one who started the conversation and pushed and pursued the creation of Live Limelight. Sadly, Steve passed away early in 2014 due to complications stemming from COPD, a disability he had been dealing with all his life. I miss him greatly and dedicate this article and really all my subsequent ones to Steve. Without him I guarantee my life would be different and I thank him. And also, without Steve, there was no way that Live Limelight could continue as it had been. The three of us who were Live Limelight had discussed the future and we all wanted it to grow. Steve’s wish was that it move to print at some point. A physical documentation of what’s happening in the Charlotte region on a local music level, with an occasional nod to larger name acts touring through. I’m pressing on. I’m rebranding Live Limelight to be specific in location, so it’s Charlotte Live Limelight. I’d like to acknowledge the fine graphic work of Austin Caine for the logo design. Thanks also to Jodi, without whom Live Limelight may never have gotten a name. And thanks to all the bands we’ve reviewed, photographed and spoken with.

Steve also told me about Plaza-Midwood Community Radio (www.pmcradio.org), pushing me to turn what was a broadcast web stream of me and a friend talking music into Musical Conversations, a full interview style Internet radio show. As of this writing, I’ve interviewed over fifty local bands and about twenty-five national and international musicians and people involved in the music industry.

Charlotte, North Carolina, has a great music scene and I know this as a fact as I have personally experienced it. Now I’m going to make sure that others know as well. So, Charlotte… let’s hear some music!